فهرست مطالب
Machine generated contents note: Two Styles of Imagining --
How to Read This Book --
Why Read This Book? --
Crisis in "How To" Film Books? --
Model --
pt. 1 STAGING THE MOMENT --
Identifying the Transformational Moment --
What the Spectator Brings to the Moment --
What the Transformational Moment Connects With --
Looking for Vincent Ward --
Perkins Cobb Theory --
Auteurs and Coppola's Prediction --
What Filmmaking Is --
From Movement to Knowability --
Staging Rooms --
Staging the Gaze --
Transforming the Gaze --
Staging the "Elsewhen"? --
Vogler Memo --
Stories and Loglines --
Exercise #1 --
pt. 2 COMPOSING THE MOMENT --
Meta-Compositional Moment --
"Universal Human Being" --
Summary #1 --
Exercise #2 --
Narrative and the Moment --
Transformation Rule in Narrative --
Light, Color, Music and the Moment --
Dream Work of Character (or the Sheets of Time) --
Exercise #3 --
pt. 3 WHAT IT IS LIKE --
Exercise #4 --
Manifest and the Latent --
CONCLUSION --
Summary #2 --
Afterword: A Conversation --
Filmography --
Bibliography.
How to Read This Book --
Why Read This Book? --
Crisis in "How To" Film Books? --
Model --
pt. 1 STAGING THE MOMENT --
Identifying the Transformational Moment --
What the Spectator Brings to the Moment --
What the Transformational Moment Connects With --
Looking for Vincent Ward --
Perkins Cobb Theory --
Auteurs and Coppola's Prediction --
What Filmmaking Is --
From Movement to Knowability --
Staging Rooms --
Staging the Gaze --
Transforming the Gaze --
Staging the "Elsewhen"? --
Vogler Memo --
Stories and Loglines --
Exercise #1 --
pt. 2 COMPOSING THE MOMENT --
Meta-Compositional Moment --
"Universal Human Being" --
Summary #1 --
Exercise #2 --
Narrative and the Moment --
Transformation Rule in Narrative --
Light, Color, Music and the Moment --
Dream Work of Character (or the Sheets of Time) --
Exercise #3 --
pt. 3 WHAT IT IS LIKE --
Exercise #4 --
Manifest and the Latent --
CONCLUSION --
Summary #2 --
Afterword: A Conversation --
Filmography --
Bibliography.