فهرست مطالب
Front Matter ....Pages 1-1
Introduction: Scripting Real Lives (Davinia Thornley)....Pages 3-10
The Study of Historical Films as Adaptation: Some Critical Reflections (Patrick Cattrysse)....Pages 11-31
Waiting for the Great Swell of ‘74: John Milius and Autobiographical Self-Projection in Big Wednesday (Alfio Leotta)....Pages 33-46
Making Robert Sarkies’ Film Out of the Blue: Adaptation and Indigenization in Aotearoa New Zealand (Davinia Thornley)....Pages 47-64
Front Matter ....Pages 65-65
When the Truth Becomes Too Hard to Tell: Jocelyne Saab & Dunia (2005) (Margaret McVeigh)....Pages 67-86
Making It “Real”/“Reel”: Truth, Trauma, and American Exceptionalism in Zero Dark Thirty (Jennifer L. Gauthier)....Pages 87-109
(The Facts Before) The Fiction Before the Facts: Suburra from Novel (to Trial) to Feature to TV Serial (Paolo Russo)....Pages 111-141
Reaching Young Audiences Through Research: Using the NABC Method to Create the Norwegian Web Teenage Drama SKAM/Shame (Eva Novrup Redvall)....Pages 143-161
Front Matter ....Pages 163-163
An Adaptation of Life: Ethnographically Grounded Fiction as a Method of Inquiry into Personal Accounts of Traumatic Events (Ester T. Roura)....Pages 165-185
Writing the Screenplay for the History Film: A Case Study Featuring the Historical Figure, C. Y. O’Connor (Nadia Meneghello)....Pages 187-205
Back Matter ....Pages 207-237